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Wednesday
Mar092011

Marlene Creates

Marlene Creates. Entering and Leaving St. John's Newfoundland 1995. collection: Government of Newfoundland & Labrador, Provincial Art Bank.Marlene Creates, Newfoundland artist, has long photographed signs by the road, in the woods, attached to telephone poles, assembling the images into visual maps that indicate the emptiness of space in this country, whether they are in downtown Victoria or the outskirts of Hamilton.

Her early work shows influences of both Ian Hamilton Findlay and Richard Long: marks on the landscape, minimal reorganisations of nature that document that one was there.  More common are the highway signs, enigmatic markers of the edges of the city, or the edges of acceptable urban behaviour found in 'no parking' signs. 

Ian Toews did a segment of Landscape as Muse on Creates – The Tolt, the Droke and the Blast Hole Pond River; including, memorably, a project where she holds a camera under the blast hole pond and takes photographs looking upward, through the boiling water to her own face. 

Of Entering and Leaving St. John's Newfoundland, 1995, she writes,
'The City Limits signs that first caught my attention are the pair across from each other on the Trans-Canada Highway. When approaching St. John’s, one comes upon a sign announcing the city’s limits, but then there’s another 30 km of driving by woods and bogs before seeing any evidence of the city. And when leaving St. John’s, one drives those 30 km before coming to a sign that tells you that you really hadn’t even left the city yet.
Most of the landscapes surrounding these signs do not correspond at all to the image one might have of St. John’s. This creates a disconnection between the label announcing the city, the actual surrounding place, and the idealized image one may have of this city. St. John’s is larger than whatever idea we may have of it, including for those of us who live here. And Newfoundland, too, is and is not the Newfoundland of the imagination. Which is why my work may or may not be what one expects of a Newfoundland artist.'

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