Métis trappers' tents
Friday, March 4, 2016 at 9:19AM
stephanie in housing, material culture, museums, métissage

Métis Crossing campground: trappers' wall tents

From Assiniboine tipis website: Wall tents are rugged four-sided shelters, much like a small cabin, with a peaked roof that slopes down to four canvas walls. The military began using wall tents as early as the 18th century. Then again, during the civil war, wall tents were used extensively. They were popular as army hospitals. Two large wall tents, fourteen feet squared, would be stacked end to end to form a medical ward for wounded. Later, tents continued to be used by hunters, trappers and gold prospectors throughout the eighteen and nineteen hundreds. Even today, the wall tent is in high demand. The tents are used for shelter by the US Army in Iraq. They are popular for use in refuge camps. Nomadic peoples have also taken advantage of the rugged construction and comfort of the modern wall tent.aha, David Fortin has sent this link: Métis Crossing, Kalyna Country, Canada’s Largest Ecomuseum.  Not built yet, but planned.  It is in Smoky Lake, on the Victoria Trail which runs on the north bank of the North Saskatchewan River, next to Victoria Settlement, an Alberta provincial historic site.  This promises to be a living museum, so far the website shows camping, a rodeo, new zip lines, giant mushrooms by the highway, a grain elevator museum and the historic Eldorena Ukrainian church.  I love this little website, it is the prairies as I know it; rather than Edmonton and Calgary, this is rural Alberta in all its cultural mix.  
From its website:
Extending east and northeast from Edmonton, the Kalyna Country Ecomuseum is one of the most historic places in Alberta. Follow our rivers and roads to experience a millennia of aboriginal culture, a landscape traversed by the great explorers and fur traders, prior to the homesteading era and the coming of the railroad. Kalyna Country is Alberta’s multi-cultural capital. Kalyna Country contains Canada’s largest Ukrainian settlement; some of Alberta’s largest concentrations of French, Cree, Metis and Romanian settlement; Alberta’s only Irish settlement, plus German, Scandinavian, British and other slavic cultures. All of these groups, together have combined to give Kalyna Country a distinct flavour that sets the region apart from other rural areas of Alberta.

This is métis, not the people, but as a Canadian response to our diversity and our fundamental métissage where evolutionary indigeneity meets the shock of the newcomer, gets over the shock either militarily or resignedly, and starts to talk, to share, to borrow. 

Take the discussion of the Métis trapper wall tent: the tent poles were probably the same as tipi poles, the canvas was a trade good, used for both tipis and tents: one looks like a cone – the shape derived by poles alone, tied at the top, the other like a house – structural walls and a water-shedding roof, however in the wall tent the walls are not structural, the roof is a continuous skin that becomes a wall, the structure is external: completely different logic informs the shape of the wall tent.  Whatever, it is efficient, well-honed over centuries of use, and still in use today, viz. the Northern Trappers Alliance camp set up on Saskatchewan Highway 955 in a 2014 blockade of tar sands and uranium exploration companies.

The wall tent is métis architecture as the tipi is not.  Métissage borrows and adapts – a form of innovation, but quicker than the slow evolution of what we consider originary building forms such as the tipi. 

Article originally appeared on onsite review (http://www.onsitearchive.ca/).
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