Albert Frey, Swiss, studied at ETH Winterthur, a critical point as technical schools taught construction and technology. He graduated in 1924. What a time to be a young architect: he worked with LeCorbusier and Jeanneret in Paris from 1924-28 alongside Sert and Perriand, then moved to the States. He joined Lawrence Kocher in New York and worked with him until 1935. Kocher was also the managing editor of Architectural Record, a journal that promoted American modernism.
Frey worked on the Museum of Modern Art in 1937-9 and after this moved permanently to Palm Springs, falling, like so many European architects, for the freedom and space of the American south west.
Two Frey and Kocher houses: the Aluminaire, a demountable house faced with aluminum panels, which was moved several times in its life, and a canvas cabin, both done in the early 1930s. They did permanent houses, including one for Raymond Loewy, but these two are in the nature of workshop experiments.
The canvas house, built for Kocher, consists of painted sail canvas stretched over a redwood frame, insulated with aluminum foil. These details come from Joseph Rosa's book on Frey, but compared to the Aluminaire there appears to be little information on the canvas house. The images here are from a single website.
However, in Popular Science, February 1933 the canvas house appears. For 15¢ (20¢ in Canada) what an exuberant little publication this was: packed with ideas, inventions, the wonder of developing technologies and sheer curiosities — it shows a most positive and active engagement with newness that I just cannot see anywhere today. Here is a pdf of the Feb 1933 edition.
On p 42, just above identifying dogs by their nose prints, is 'Architect Designs Cotton Houses'. The write up: 'Houses of cotton are proposed by Lawrence Kocher, noted architect, to solve the low-cost housing problem. Models of two types, a $1,500 five-room home and a week-end house, have been designed. A weatherproof exterior is provided by a roof and walls of fireproofed cotton ducking stretched over a wooden structural frame. Inner walls are also of cotton. Insulating material may be added to exclude heat and cold. Since the canvas is flexible, it is adaptable to any shaped surface. '
This is the Villa Savoye for Depression-era America: inexpensive, democratic, inventive, flexible.